Corpus Australia: the Sacred Crossing

Dialogue about Corpus Australis,  16 Jan 2004

Conversations with Jutta Malnic and the Venerable Santithito, Culture Lab International, Yellow Rock, Blue Mountains, Australia, 16 Jan 2004

In September 2003, Graeme Dunstan of Peacebus.com initiated a three-day retreat at the Wat Buddhalavarn in the Lao Buddhist Forest Monastery, Wedderburn, NSW. Led by John Allan (a former monk in the Thai forest tradition, now a Dharma teachers and practising layperson and also an initiated custodian of Rainbow Serpent Dreaming by the Elders of the Galpu Clan in East Arnhemland) in the company of The Venerable Santithito and other Laotian monks. The retreat was a mixture of Buddhist principles and Earth principles for healing in the Galpu tradition. Waking Up In The Bush was a significant inter-cultural, inter-denominational action for peace and healing of the body of Australia.

Culture Lab has been in conversation with ethnogrpaher and author, Jutta Malnic, for some years regarding the inspiration provided dramaturgically by the image/story/title of CORPUS AUSTRALIS as shared with Jutta by Aboriginal lawman, the late David Mowaljali and published in Jutta's book Yorro Yorro. John Allan had already visited Culture Lab on a previous occasion with initiated Galpu Elder, Djawa Burarrawanga. (See Openning the Way: Sharing the Law at www.peacebus.com/CultureLab/OpeningTheWay.html) John is committed to travelling the body of Australia for the purpose of healing. He carries with him a painted copy of Mowaljali's body map as published in Yorro Yorro.

This spontaneous gathering at Culture Lab provided an opportunity to continue conversations related to inter-cultural, inter-generational, inter-gender, inter-denominational, inter-disciplinary healing in Australia; the body of Australia as a living entity; and shared dreamings for a walking/travelling of various ley lines for the purpose of learning and sharing stories and knowledge toward a sustainable inclusive and just Australian/global culture.

Present: Jutta Malnic, Sergei Malnic, The Venerable Santitito, Uncle Graham Bird, Graeme Dunstan, Willem Brugman, Catherine Hassall, Stephen Lalor and Reece Lalor. These notes courtesy of Catherine Hassall

David Mowaljali's Corpus Australis sketch as published in Yorro Yorro, by Jutta Malnic

Santi: The Planet - that's our house.

Dharma is a suchness, an empty fullness, a thisness, thatness. There is a sequential nature to Dharma: PURIFICATION, TRANSFORMATION and TRANSCENDENCE. To transform, to yield, to adapt, to surrender; to transcend to wholeness, to interdependence, to live in wholeness. This is the inherent sustainable order. Dharma directs us through this sequential order with selfless action and we reach this through meditation. The order is 'out there' and we can see it only when we are within ourselves. We can't make peace in the world without peace within us. We find the peace within us to make it manifest. We are led to people and places that give us sustenance, courage and confidence to get the vision of peace within us. Starts within and then it finds reference points outside.

Jutta: You obtain it, to incarnate it, so you are.

Santi: The things I know are peanuts, what I don't know mountains! But the more one has the feeling for Dharma the more reverential one becomes to the order of things. Through knowing the order we also become aware of the disorder - disorder is violation - outside the 'dreaming' if you like.

Jutta: Yes, Mowaljali said there are two types of dreaming.

Santi: Yes, hallucinations or vision.

Willem: You say Venerable Santi - we are in Australia. Mowaljali made this drawing of Australia. (Shows the body of Australia from Yorro Yorro book.)

Santi: Yes, it is very different in Western thinking - we see the Earth as an object.

Willem: (Brings out the Eureka Southern Cross flag). This Corpus Australis needs a structure, to tell the stories. Our friend, a psychotherapist, Craig San Roque showed us this structure: each of the stars represents a different element. At the top here we have cosmology/ontology, on one side we have kinship or relationship, on the other side cultural history and at the bottom the container - that which contains all of this including the self in the middle. This is like the skeleton, this structure and the bone marrow is the teachings, which we have found with Jutta and John Allan and yourself. These are all very important elements for future generations.

Santi: To get a more grounded Corpus.

Willem: We can take the stories, travel the songlines and this psychotherapist also talks about the trauma trails, the same as John Allan, which need healing in this body.

Santi: Yes, Some places are these places of trauma and some places are places of power. Like the lake at the Watt - Buddha compared the still mind with the still lake.

Willem: Wungud

Jutta: Yes, although Wungud is also regenerative

Santi: We need the still mind to see and then we find the regeneration. For there are the heavy places, the burden places.

Willem: In Europe we call it the guilty landscape because it has seen atrocities. So, yes, what we are working, would like to work is this. We've been following it a long time. Jutta has already given us material through Kula: a culture of exchange

Jutta: Its dynamic

Santi: The Buddhist word Kula means family - that which is united, the awakened relation, well-natured, established family, the family that goes in wellness.

Jutta: (reads from Kula) It's a survival. A practical system that has ensured the survival of a group of 40 islands with different languages/races all trading. The dynamics of it are in the minds of the seers.

Santi: The Elders

Jutta: They're the bedposts. Its spiritual/mental organization and trading. (She describes the fundamental principles of Kula culture and further still many documentated oral accounts of symbolic readings of nature which prove themselves accurate in human business) there is symbolic fidelity. They're never wrong

Santi: We talk also of Kula family being about direction and light: sunset sun, midnight moon and so on. Different manifestations but their root is the centre, the source. Going back to the source in which the stillness is complete. People who are deeply rooted in nature can read it. The elders can read and give tasks to those on the path of awakening so they find the resources to come back to the centre. The Kula family is that which centres itself.

Willem: That's very connected

Jutta: Yes, I can see it diagrammatically.

Willem: Men's business/women's business (shows Hannah Rachel Bell's book). I want to bring this in. Yin/Yang. The first thing we discover is male/female. On the mystical path there is the teaching that wholeness comes through realisation of the male in the female and the female in the male.

Santi: Yes, Jung also speaks of this with the anima and animus. To recognise the origin manifesting in this movement of Yin/Yang. Become adapted to the polarity of the Tao. In the depth of the soul always indicates what we need to find our inner so it speaks. You have to speak with the feminine part in self to become a complete human being. The one-sidedness disturbs the natural order. Where being male/female is dynamic it leads to fulfilment. In Buddhism if we are attached to being male, then we have a problem with the women. But if the movement is dynamic - interrelated, interdependent, then it balances itself.

Jutta: It's a wholeness of understanding.

Santi: there is male/female but they're not static: its interrelated and interdependent process that affirms the source of the Tao/Nirvana. Formlessness is interrelated and interdependent. Form is appearance but it is based in formlessness.

Willem: We have an understanding that Space is male and time is female - what do you think?

Santi: For us, space is neutral, has no gender. Time perhaps, yes, perhaps time but Dharma has no gender. It could manifest through the heart in gender but it's beyond gender.

Willem: The male/female polarity is a serious problem

Santi: O yes, its created cultural hierarchies

Willem: We have been experimenting with cultural possibilities and practises here at the lab. At the last Culture Camp we operated with men's Business/Women's business and set up those two camps plus a community camp. Of course we have only gone so far with these experiments but we ran immediately into trouble just with these explorations. The women seemed to hold themselves and worked together to create a central facing space but the men were all over the place.

Jutta: Of course. Women are the Earth.

Santi: Yes, the early wisdom is grounded in the feminine. It is circular, no beginning, no middle, and no end. It knows there is no beginning and no end because everything is complete.

Jutta: That's figuratively speaking. Let me through something in from Mowaljali . I've mostly worked with men. There's a ritual for men's passing - to rejuvenate him into a baby's spirit (they have a belief in reincarnation). So it's a very complicated ritual for the man but the women just gets interned. I said to Mowaljali: hold on, what about the women. He said: no need, she goes immediately back to the Earth, to her own womb. Men's calling is to serve the spiritual part. There has to be two camps but they have to relate. Men's rituals, which are blood sacrifice and the use of ochre which represents Earth, iron - the man pays reverence to the female, nourish the women who nourish him.

Willem: Why is this separation? Is it necessary to keep men and women separate in the way water and fire must be kept separate or they destroy each other?

Jutta: Yes, exactly. Now let's go back to Corpus Australis. Mowaljali drew this map and I said: ah, Yes, Corpus Australis - that's how I can hand it on. It is very important that you refer to this image of the Corpus and to the story: Mowaljali also explained that the continent was a body and there was a catastrophe and in this catastrophe the body he rose up and then fell back down again and we know this because it is always longer to travel going North then going South.

There were smaller and larger Wandjina (There are different subdivisions - like Christ and his disciples.) and they walked - this is very important - they walked and manifested animals, illness, food - everything. And men were made to be the totem keepers. And now they have something to exchange too. And they walk, culture pattern, criss-crossing - I call it basket weaving these patterns across the Corpus.

I want to repeat this: this is YOUR pattern (to Willem): He pointed out different totems. The Ancestors carried the mist and created the escarpment, then laid down to rest and left their image. And there places of increase - unless the custodian and his family go there regularly and stimulate it with clapsticks/singing/painting it/ anything to stimulate energies/sing the story/ceremony - to stimulate the increase of the particular totem.

In that place now there has just been a huge land claim awarded so the custodians can return to take care of those places. White people don't know about this anymore. It's been bred out of us for three and half thousand years since the rule of the pharaohs and priests and so on. These hierarchies have been looking after the spiritual things and they have been taken out of our hands. This akashic record for Dharma has been lost in the West, that's what Buddhism has been nurturing and bringing to the West too.

Santi: Having a personalised, integrated image of the land. The body is the temple of life. That is Dharma. You have to go into the body. I like this. Landscape of Dharma. Those who have a perfect vision of nature have roots in the Earth, have the Mother [principle, like the Aboriginal people. The Western world has lost it, no relation to Earth, only an object of their interest.

Willem: How can we find the land if it is gone?

Santi: In nature there is no erosion of memory. Once you tap in then the law is there.

Jutta: Dharma is the law: if you don't feel it in the depths of the soul there is no hunting or capturing of it.

Willem: Are there ways of arriving to it? How to we find it if we have lost it?

Santi: Yes, we say:

  • Listening to nature and to nature in self
  • To look within with enquiry and investigation
  • Practise and experience

    Catherine: Mowaljali talks about a time when everything had to be 'rediscovered'. Hat everything was destroyed by the flood and they had to put the pattern down again after it was wiped out. So in the same way we have to find that ourselves also. He also talks about the process of this discovery and reinvention/invention. I cannot quite remember but perhaps:

  • Exploration
  • Experimentation
  • Commitment
  • Purpose
  • Law

    Jutta: It is also about listening to your intuition and learning to trust.

    Santi: Yes, vision and intuition: From listening to looking - vision, seeing the way things are, relating

    Jutta: Perception

    Santi: Yes, we use perception and penetration

    Willem: Let's imagine then that I arrive, that I am in this new piece of landscape just arrived and I leave the shore and begin to explore and I am thirsty and discover that I can eat this and it is good and I go along like this . . .

    Jutta: You have just described the path of the Wandjina. Recreating the path of the self.

    Willem: This is the learning

    Jutta: (Simultaneously) This is the walking.

    Santi: Commitment - that's integrity, natural identification, and translation in relation to the memory.

    Jutta: Commitment to serve it, that's men's business to serve it all, including the women.

    BREAK

    Jutta: Now, back to Willem's question. Corpus Australis. The underlying paradigm is Corpus Australis. We're living on this national community feeling.

    Santi: the body is also seen as united/ not dismembered. It is whole, alive, and sustainable through functioning as a whole.

    Willem: The unified body

    Santi: Anything dismembered is alienated. The natural body is always unified.

    Jutta: And sickness should be separated. Humanly charitableness, yes but you can't support parasites. The charitable heart needs to be discerning. I'm quite sure in this disintegration - everything is disintegrating/ the young ones are living in a void, in Television dementia, idling with computer games. Young ones you can bring back but there are others unbending - you have to let them go in order to strengthen the core. That's a political (neo-political?) agenda.

    Willem: Tricky. By just looking at Australia that is also separated. We have to look at the global context. The songlines don't end at the edge of the continent.

    Santi: The songlines are global. They express locally but that have a global interconnection. They go farther. They manifest/translate local but the spirit transcends from deeper and higher spaces (deep earth and high space).

    Willem: Peter Brook, a theatre man took a theatre company to Africa. They had rehearsed a story but how to tell the story without language? First they had to define the stage - they rolled out a carpet/ Now they have to use gesture, signs, scenes not words. So when you say how to express this theatrically - Corpus Australis - you're not talking about talking or overhead projectors - its through costume and gesture and image and movement and colour and sound. It's not intellectual.

    Santi: Gesture is crystallisation of the heart.

    Willem: Also here painting is very important in corroboree - the same in Buddhism with the Yantra. And the Greek principle - Catharsis - to lift the spirit and to do it with celebration not politically

    Jutta: Yes, to dance it into the ground.

    Willem: Yes

    Santi: And the body is like nature's unbroken lineage.

    Willem: One thing we experienced with Santi was in the cave in Wedderburn. In walking meditation we walked through the bush as a Rainbow Serpent to a cave, very much the feeling of an Aboriginal cave in that landscape a shelter place and Buddha painted on its walls, many offerings had been there. And we all made a determination there in the witness of the monks and for the man who was the driving force behind the foundation of the Watt - Kevin Prakoonheang - he made the comment that he had been waiting for 27 years to see this happen - to see the intercultural mix of Buddhism with the ancient teachings of this land.

    And this is where Graeme Dunstan comes in. He's specialised in occupying public spaces with banners, flags, processions, lanterns, and lights. Graeme assisted our walking as a Sangha, as a community by offering lanterns which we carried in that procession. There are some important Buddhist principles in the use of a site: you have to ask permission to use the site, you have to pay for the site, you have to purify the site and so on and you have to leave the site as you found it. And all of this needs to be quite spontaneous. Graeme also made a beautiful camp with a large tarp for the community meditations and with tatami mats, flags and banners and then there were the teachings: this coming together of the Buddhist teachings with John's experience as a Buddhist monk and layperson combined with Santi's teachings and then John brought the teachings passed to him by the Galpu elders in terms of the Rainbow Serpent Dreaming.

    Santi: Yes, people sharing to sustain life against the oppressor, building community relations against the oppresor. That's where it is related to the Aboriginal people: you don't use the land without asking permission. You have to make an act of honour and leave it clear, clean.

    Jutta: And we all partake. Not just leave it to one to clean up.

    Santi: The People who live there understand it as a power place but it is obligatory to honour the Earth. Remember when John (Allan) was there he made his prayer in the four directions. Getting in touch with the land.

    Willem: There's a lot - we need to establish a container to collect the energy but not as a contraction.

    Santi: Yes, as a sacred event, as a happening. A wise man dedicates his merit to the void/to emptiness. The depth of the teaching is to not cling, not make a personal capture - we carry the story, the impression but not make a capture. And we dedicate it to the void and that which is in touch with the Mother; in one's walk one takes the story. It is not the end it is ongoing. It remains with the universe, with the life.

    Willem: But as a producer - from a production point of view - this is a secret because you need a container which can trigger it all off.

    Jutta: All participants must make an offering and make a contribution to the clean up.

    Willem: Then it becomes a poetic practise.

    Santi: The Sacred Crossing

    Dialogue about Corpus Australis,  16 Jan 2004
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